| Disclaimer: The course
information below is current as of October 24, 2002, is intended for informational
purposes only, and does not constitute a legal contract between the University
of Utah and any person or entity.
This Web document is updated twice a year, on or about the first day
of registration for Fall and Spring semesters.
1010 Introduction to the Visual Arts
(3) Cross listed as UGS 1010. Fulfills Fine Arts Foundation.
Three basic content areas: the creative process, art criticism,
and aesthetics, along with a chronological history of art. The content
within these three areas is designed to be gender-conscious, cross-cultural,
and discipline-correlated--meaning that visual art is introduced to include
filmmaking, computer graphics, architecture, sculpture, painting, drawing,
graphic design, and photography. The creative process, aesthetics, composition,
and history draw upon all of the diverse interests mentioned above.
1040 Basic Design (3) Fulfills Fine
Arts Foundation.
For the general University student who desires instruction
in the fundamentals of two-dimensional and three-dimensional design. The
primary concern will be the application of composition as it relates to
all aspects of artistic production. A variety of media will be explored--collage,
assemblage, and drawing (pencil, pen, etc.). Problems will be given which
investigate negative and positive space relationships, symmetrical and
asymmetrical composition, and color-design theory. Concentrates on pure
qualities of shape, line, balance, and texture.
1060 Basic Drawing (3) Fulfills Fine
Arts Foundation.
For the general University student who desires instruction
in the fundamentals of drawing. Several graphic media are used during the
semester: charcoal, pencil, pen and ink. The experience of each medium
will apply to the various problems of drawing accuracy. Students will be
instructed in the skill of drawing through an understanding of light and
shade. Many exercises will engage the student in the various aspects of
line as it relates to texture, contour, and form. Design awareness will
be developed.
1070 Handbuilding Ceramics (3) Fulfills
Fine Arts Foundation.
Designed to give an overview of working, glazing, and
firing of stoneware ceramics. Through the construction of various handbuilt
objects, demonstrations, lectures, slides, and critiques, students are
introduced to the world of contemporary handbuilt ceramics. This is a comprehensive
first course in ceramics. Non-art major class.
1790 Creative Problem Solving (4) Cross
listed as UGS 1790. Fulfills Fine Arts Foundation.
Real-world experience in the creative process using ideas
generated by artistic method. Students study the creative process as it
applies to invention, art, campus problems, world problems, their careers,
and individual problems. Students experience group problem-solving, and
they solve one individual problem which they have identified.
2000 Continuing Education in Art (1
to 4)
Special topics in art offered through AOCE for non-art
majors.
2001 Continuing Education: Painting
(1 to 4)
Special topics in painting for non-art majors.
2002 Continuing Education: Drawing (1
to 4)
Special topics in drawing for non-art majors.
2003 Continuing Education: Ceramics
(1 to 4)
Special topics in ceramics for non-art majors.
2004 Continuing Education: Fiber Arts
(1 to 4)
Special topics in fiber arts for non-art majors.
2005 Continuing Education: Computer Arts
(1 to 4)
Special topics utilizing computer programs in art for
non-art majors.
2006 Continuing Education: 3-D Arts
(1 to 4)
Special topics in 3/D design for non-art majors.
2007 Continuing Education: Design (1
to 4)
Special topics in design for non-art majors.
2008 Continuing Education: Photography
(1 to 4)
Special topics in photography for non-art majors.
2009 Continuing Education: Printmaking
(1 to 4)
Special topic in printmaking for non-art majors.
2010 Continuing Education: Intermedia
(1 to 4)
Special topics exploring various mediums in art for non-art
majors.
2011 Continuing Education: Book Arts
(1 to 4)
Special topics exploring book arts for non-art majors.
2012 Continuing Education: Art Workshop
(1 to 4)
Workshops in art for non-art majors.
2060 Beginning Photography for Non-art Majors
(3) Fulfills Fine Arts Foundation.
Introduction to photography will emphasize the use of
camera operation, including shutter speed control, depth of field, lenses,
camera format, and films from a personal perspective. The student will
be taught how to see photographically, incorporating elements of design,
framing, composition, and perspective. Basic black and white film and paper
development will be taught. Students are required to have a 35mm manual
mode camera, adjustable lens aperture, and shutter speeds.
2070 Wheelthrown Pottery (3) Fulfills
Fine Arts Foundation.
A beginning course in wheelthrown pottery designed to
develop fundamental skills in throwing, surface decoration, and glazing
of stoneware and porcelain. Provides introduction to the concept of good
craftsmanship and the work rhythms of the pottery studio. Non-art major
class.
2080 Beginning Painting (3) Recommended
Prerequisite: ART 1060. Fulfills Fine Arts Foundation.
This is a fundamental course in painting that will provide
instruction in basic techniques to beginners. Concepts of shape, volume,
and color theory are emphasized. Instructors will teach indirect painting
(glazes) and direct painting. Some concentrate on representation and others
treat the class as a free-form experience. Non-art major class.
2200 First Year Studio 2-D (4)
Concentrates on line drawing with emphasis on representational
accuracy, linear perspective, hand-eye coordination and skill, expressive
qualities of line, and exploration of conceptual ideas in drawing. The
final third of the semester shifts the emphasis to a careful study of chiaroscuro,
its theory and application. Pre-art major class.
2250 First Year Studio 2-D (4) Prerequisite:
ART 1110.
The second semester of the Foundation Drawing Program
continues the two-dimensional description with form and space using the
visual element of value. The final two-thirds of the semester concentrates
on color. Students begin with basic color mixing and work through a series
of color-theory problems dealing with relativity of color, color illusions,
psychological effects, and ideas pertinent to basic color harmony. Problems
are both design-oriented and representational in nature. Pre-art major
class.
2300 First Year Studio 3-D (4)
This foundation course is designed to introduce students
to fundamental 3-D design issues and begin explorations into materials
and process, as well as tools and construction methods. Projects will focus
on 3-D formal applications of line, plane, form, and space, with investigations
of positive/negative, interior/exterior, volume/mass, multiple/repetition,
scale, color/surface, texture, etc. Pre-art major class.
2350 First Year Studio 3-D (4) Prerequisite:
ART 1240.
Designed to extend and broaden formal applications of
materials and processes, involving a variety of approaches. Students will
be familiarized with basic wood-shop techniques. Students will be expected
to engage in topical discussions, group critiques, and begin to establish
a personal vocabulary. Pre-art major class.
2400 First Year Studio Intro to Visual Language
(2)
Designed to give art majors at the foundation level a
strong initiation to the many facets of art, primarily of the last 100
years, via slides and films supplemented by dialogue to acquaint students
with the many traditional forms, procedures, and aethetics that exist today
within the field of painting, sculpture, crafts, and graphic design; and
to familiarize students with the faculty, curriculum, and language of the
department. Pre-art major class.
3050 Special Topics for Non-art Majors
(1 to 4)
Classes and workshops in various aspects of studio art
specifically designed for non-art majors.
3051 Non-major Painting (1 to 4)
Special topics in painting for non-art majors.
3052 Non-major Drawing (3)
Special topics in drawing for non-art majors.
3053 Non-major Computer Arts (1 to 4)
Special topics utilizing computer programs in art for
non-art majors.
3054 Non-major Intermedia (1 to 4)
Special topics exploring the use of different media in
art for non-art majors.
3055 Non-major Book Arts (1 to 4)
Special topics exploring book arts for non-art majors.
3056 Non-major Art Workshop (1 to 4)
Workshops exploring various topics and media in art for
non-art majors.
3057 Fundamentals of Bookbinding Non-Major
(4)
Non-major course exploring the fundamentals of bookbinding
including materials and their properties. Discussions on different binding
formats, historical materials and systems and understanding book as an
art form.
3060 Advanced Drawing (Non-major) (3)
Prerequisite: ART 1060.
Advanced problems in drawing ad design for non-art majors.
Several graphic media are used during the semester - charcoal, pencil,
pen and ink. Exercises include understanding of light and shade and aspects
of line relating to texture, contour and form.
3070 Intermediate/Advanced Wheelthrown Pottery
(3)
3110 Painting I (4) Prerequisite: First
Year Studio Program.
This course is an introduction to materials, techniques
and the processes of painting.
3120 Figure Structure (4) Prerequisite:
First Year Studio Program.
Anatomy of the human figure is the subject. The forms
and functions of the skeletal and muscular systems are explored from the
artist's point of view. Weight, balance, and the dynamics of movement are
also considered.
3130 Life Drawing I (4) Prerequisite:
First Year Studio Program.
The subject of this course is the human figure. Students
will learn a variety of concepts and perceptual techniques designed to
enhance their abilities to translate the subject's three dimensions onto
the two-dimensional picture plane.
3140 Watercolor (4) Prerequisite: First
Year Studio Program.
Watercolor explored as a spontaneous, aqueous medium with
special attention given to the calligraphic properties of the brush, direct
color application, and improvisation.
3150 Figure Painting (4) Prerequiste:
ART 3120 and 3130.
With the human figure as its subject, the class will concentrate
on forming and structuring ideas for proper expression of visual literacy.
3200 History of Ceramics (3) Fulfills
Fine Arts Integration.
Study of the historical diversity of ceramics, style,
and form, from 6000 B.C. to the present. Includes the Far East, Islam,
Europe, Pre- and Post-Columbian, as well as contemporary directions.Not
approved for Art History credit.
3210 Handbuilding Ceramics I (4) Prerequisite:
First Year Studio Program.
This course is designed to give an overview of the working,
glazing, and firing of stoneware ceramics. Through the construction of
various hand-built objects, demonstrations, lectures, slides, and critiques,
students are introduced to the world of contemporary hand-built ceramics.
This is a comprehensive first course in ceramics.
3211 Handbuilding Ceramics II (4) Prerequisite:
First Year Studio Program.
Investigations into sculptural form, scale, and glazing
using personally formulated clay bodies and glazes. Exploration of advanced
sculptural work including various handbuilding and wheel techniques.
3220 Wheelthrown Pottery I (4) Prerequisite:
First Year Studio Program.
A beginning course in wheelthrown pottery designed to
develop fundamental skills in throwing, surface decoration, glazing stoneware,
and the work rhythms of the pottery studio.
3221 Wheelthrown Pottery II (4) Prerequisite:
First Year Studio Program.
Exploration of larger more complex wheelthrown forms in
stoneware or porcelain. Development of visual insight in form and surface
relationships.
3230 Low-Fire Ceramics (4) Prerequisite:
ART 3210 and 3211 and 3220 and 3221.
Introduction to and use of low-fire clays, decorating
techniques, and firing. Includes exploration of underglaze, china paint,
lusters, and ceramic decals on earthenware and stoneware clay. Students
learn to fire ware in the area's various electric kilns.
3240 Plaster Mold-Making (4) Prerequisite:
ART 3230.
Design construction and use of molds, their models and
castings. Castings are incorporated into or used as personal form ideas.
This course is directed toward the studio artist.
3250 Intermediate Ceramics (4) Prerequisite:
ART 3210 and 3211 and 3220 and 3221.
Particular investigation of form relationships in wheelthrown
and handbuilt ceramics. Includes organic vs. geometric, proportions, etc.
3260 Ceramic Surfaces (4) Prerequisite:
ART 3210 and 3211 and 3220 and 3221.
Surface treatment of wheelthrown and/or handbuilt forms
using a variety of procedures and techniques. Contemporary ceramic form
emphasizing surface development.
3270 Glaze Calculation (4) Prerequisite:
ART 3210 and 3211 and 3220 and 3221.
This class introduces the nature, formation, and testing
of clays, clay bodies, and glazes. Includes study of raw oxides, materials,
glaze calculation, and safety.
3310 Relief I (4) Prerequisite: First
Year Studio Program.
An exploration of methods of cutting images in wood and
printing them on paper, including black and white multi-block color, rice
paper, and mold-made rag papers, press printing, and hand burnishing. Woods
include solid pine, birch ply, mahogany ply, and others. Insights into
the field of printmaking in general. Emphasis on continuing development
of the relief print. Evaluation based on a portfolio of work plus general
energy and involvement. Students buy a set of Japanese tools (unless they
have adequate tools).
3320 Lithography I (4) Prerequisite:
First Year Studio Program.
Survey of technical methods involved in developing, processing,
and printing images on lithographic stones (and occasionally plates). Primarily
black and white, with some color as well. Insights into the field of printmaking
in general. Emphasis on continuing development of individual personal imagery
in the context of lithography. Evaluation based on a portfolio of work
plus general energy and involvement.
3330 Screenprint I (4) Prerequisite:
First Year Studio Program.
Survey of technical methods involved in developing and
printing of screen images on paper. Stencil building methods feature photo
film (with photographic, xerox, and drawn imagery) but also include a range
of hand-built methods (glue, resist, cut film, paper stencil, etc.). Insights
into the field of printmaking in general. Students may build their own
screens or use furnished screens. Emphasis on continuing development of
individual personal imagery in the context of the screen print. Evaluation
based on a portolio of work plus general energy and involvement.
3340 Intaglio I (4) Prerequisite: First
Year Studio Program.
A survey of technical methods involved in developing and
printing zinc intaglio plates, including line etch, aquatint, drypoint,
soft ground, lift ground, white ground, etc. Brief exploration of color
methods in intaglio. Insights into the field of printmaking in general.
Emphasis on continuing development of individual personal imagery in the
context of intaglio printing. Evaluation based on a portfolio of work plus
general energy and involvement.
3350 Fundamentals of Bookbinding (4)
Prerequisite: ART 1110 and 1120 and 1240 and 1250 and 1300.
Fundamental elements of bookbinding including materials
and their properties. Discussions on different binding formats, historical
materials and systems.
3351 Mixed Media I (4) Prerequisite:
First Year Studio Program.
This is a mixed media course and includes Monoprinting,
Woodcut and Collagraphs. Although individual techniques will be covered,
the emphasis will be on combining processes. Different printing and colour
techniques will also be included. Beginning level.
3355 Beginning Letterpress (4) Prerequisite:
ART 1110 and 1120 and 1240 and 1250 and 1300.
Design and produce broadsides and chap books through instruction
on use of movable type and hand operated printing presses. Discussions
on design typography, history of letter press and contemporary artists'
books.
3400 3-D Techniques (4) Prerequisite:
First Year Studio Program.
This course is an introduction to metal fabrication equipment,
techniques, materials, and design. Studio works produced in the course
will encounter concerns such as scale, structural integrity, and connections
or fittings. Projects are designed to establish relationships between materials,
structure and space. Oxyacetylene welding, cutting, brazing; operation
of MIG, TIG, and stick welder and forge operations are covered. Curriculum
includes techniques in basic mold-making. Sculptural works as well as competency
tests are required.
3410 Sculpture Problems I (4) Prerequisite:
First Year Studio Program.
This course initiates questions of artistic intent and
establishes conceptual premises. Students develop basic research skills,
draft proposals and statements, and begin to establish individual artistic
vocabulary. It is expected that the students create studio works related
to these investigations. Curriculum includes regular seminar discussions
and presentations based on assigned readings, local lectures, and visiting
researchers. Contemporary issues and ideas in sculpture are a primary focus
of these discussions.
3420 3-D Figure Structure I (4) Prerequisite:
First Year Studio Program.
This course focuses on sculpting the figure in clay. Students
work directly from the model. Occasional mold-making. Emphasis on anatomy.
3430 WoodShop Techniques (3) Prerequisite:
First Year Studio Program.
This course is required for all intermedia sculpture majors.
It is commonly taught by adjunct faculty with expertise in wood as a sculptural
material. Comprehensive demonstrations offered. Wood fabrication, joinery,
lamination, design, jigs, equipment safety, and operations are covered.
This course is an integral component of the intermedia sculpture emphasis
designed to support and further develop student studio work.
3440 Small Metals I (4) Prerequisite:
First Year Studio Program.
This is a beginning course with a concentration in the
development of technical skills which are specific to small metals (nonferrous
metals). Projects are developed to introduce and develop student skills
in a variety of nonferrous tools and processes. The course provides instruction
in small metals fabrication, centrifugal casting, repousse, and enameling.
3490 Sculpture Special Topics I (4)
Prerequisite: ART 3400 and 3410.
3510 Illustration (4) Prerequiste: ART
3120 and 3130.
Commercial illustration in various media.
3600 History of Graphic Design (3) Prerequisite:
First Year Studio Program.
An overview of the history of graphic communication. Topics
covered include: the invention of the written language, the origin of printing,
graphic design in the Renaissance and Victorian eras, Art Nouveau, Pictorial
Modernism, International Typographic Style, Post-Modernism, contemporary
conceptual and 'new wave' movements. Emphasis is on the Post-Art Nouveau
eras. Not approved for Art History credit.
3610 Visual Communication I (4) Prerequisite:
First Year Studio Program and acceptance in Graphic Design/Illustration.
An introductory exploration into the basic design and
hand skills necessary for contemporary typography and graphic design. This
studio course addresses visual problem-solving both on and off the computer.
3615 Computer Graphics I (4) Prerequisite:
First Year Studio Program.
An introduction and exploration into the use of the computer
as a tool and medium for visual communication within the arts. Students
will develop an understanding of the fundamental thinking behind the technical
structure and management of image-related programs and documents. Emphasis
is placed upon developing, collecting, and translating visual information
into an electronic medium both on and off the computer.
3616 Computer Graphics II (4) Prerequisite:
ART 3615.
An intermediate exploration of the computer as tool and
medium for visual communication within the arts. Students will develop
an understanding of the appropriate use of software applications in relationship
to work. Large scale formats, inter-application development, and coordination
with service bureaus will be explored. Emphasis is placed upon developing
a working methodology in correlation to theoretical topics within electronic
mediums expressed both on and off the computer.
3620 Visual Communication II (4) Prerequiste:
ART 3610.
An intermediate-level course in graphic design. This course
is a continuation of 2640. Through an investigative process the basic design
and hand skills necessary for contemporary typography and graphic design
are thoroughly explored.
3630 Computer Techniques (3) Prerequisite:
First Year Studio Program and acceptance in Graphic Design/Illustration.
A workshop in microprocessor hardware operations and software
procedures necessary for contemporary typography and graphic design.
3640 Design Process I (4) Prerequisite:
ART 3610 and 3630.
An introductory exploration into the basic formal processes,
color, and structural elements utilized within graphic design.
3650 3rd Year Graphic Problems I (4)
Prerequisite: ART 3610 and 3620.
An intermediate-level course in graphic design. This studio
course addresses solving visual communication problems through defining
objectives, methods, research, visual thinking, and the exploration of
imagery and typography in its two- and three-dimensional state.
3660 3rd Year Graphic Problems II (4)
Prerequisite: ART 3650.
An intermediate-level course in graphic design. This course
stresses developing methodological understanding of visual thinking as
it applies to the application of graphic communication in its two- and
three-dimensional state.
3670 Electronic Mediums (4) Prerequisite:
ART 3610, 3620, 3630, and 3640.
An introductory exploration into the use of the computer
as a tool and medium for graphic design and personal expression. This studio
course addresses design methodology as a practical form of problem solving
both on and off the computer.
3680 Typography I (3) Prerequisite:
ART 3610, 3620, 3630, and 3640.
An exploration of typographic structures, terminology,
methods and visual problem solving. This studio course addresses typographic
design as a practical form of problem solving both on and off the computer.
3700 Digital Imaging: Tools and Methods
(4) Prerequisite: ART 3710 and 3730.
This course promotes increased computer literacy while
providing a thorough introduction to the use of digital technology as a
tool in making of art and editing of images. Emphasis is on the Adobe Photoshop
application as an image-editing tool. The Internet, e-mail, and World Wide
Web are introduced as research and communication tools. Basic scanning
and laser print output are introduced, providing the student with experience
in the complete digital imaging cycle.
3710 Basic Photography (4) Prerequisite:
First Year Studio Program.
Introduction to photography will emphasize the use of
the camera and its application as a visual art form. Basic photography
will emphasize the use of camera operation, including shutter speed control,
depth of field, lenses, camera formats, and films from a personal perspective.
The student will be taught how to see photographically, incorporating elements
of design, framing, composition, and perspective. Basic black and white
film and paper development will be taught. Students are required to have
a 35mm manual mode camera, adjustable lens aperture, and shutter speeds.
3715 Fine Arts Teaching Methods: Visual
Arts (2)
This course will assist elementary education majors in
becoming familiar and conversant with art mediums and processes. It is
a hands-on methods course, designed to give confidence and direction in
the planning of art making experiences for Elementary Education majors.
Students will be required to design and implement art lessons and experiences
to be taught to their peers in the class, and to children in the public
school classrooms. Observations and evaluations of art programs in the
community will also be required.
3720 Photo Studies I (4) Prerequisite:
ART 3710.
Intermediate camera and darkroom techniques with heavy
emphasis on aesthetic presentation. In this course more advanced levels
of photographic concepts are introduced to the student. Various technical
controls are investigated, including water-bath developing, bleaching and
toning, archival printing and zone system. The student is also made aware
of historical and critical issues through a reading list and slide presentations.
Group discussions are an integral part of this course.
3810 Individual Studio Problems (1 to
6)
Directed study arranged with individual instructors.
3940 Sculpture Issues Seminar (2) Prerequisite:
First Year Studio Program.
Critical and aesthetic discussions on contemporary art,
focusing on sculpture and related three-dimensional formats. Debate and
discussion based on assigned readings, topical presentations and museum/gallery
visits.
4055 Intermediate Letter Press Non-major
(4) Prerequisite: ART 3055.
Design and produce broadsides and chap books through instruction
on use of movable type and hand operated printing presses. Discussions
on design typography, history of letterpress and contemporary artists'
books. Intermediate level.
4057 Intermediate Bookbinding Non-Major
(4) Prerequisite: ART 3057.
Non-major course investigating advanced elements of bookbinding,
including materials and their properties. Discussions focus on perfecting
the architectural structure of the book, use of leather as a binding and
understanding the book as an art form.
4110 Advanced Drawing (4) Prerequisite:
First Year Studio Program.
An investigation of drawing as an organizing tool for
thorough and personal image exploration.
4120 Life Drawing II (4) Prerequisite:
ART 2220 and 2210.
This is a continuation of ART 2220
4130 Painting II (4) Prerequisite: ART
3110.
A range of materials, scale, forms, and traditions. Both
perceptual and non-representational are explored.
4140 Advanced Drawing (4) Prerequisite:
ART 4110.
An investigation of drawing as an organizing tool for
thorough and personal image exploration.
4150 Advanced Life Drawing (4) Prerequisite:
ART4120.
This is a continuation of ART 3220. The course is concerned
with increasing effectiveness in drawing the human figure and increasing
the use of the figure as an expressive metaphor. Relative emphases are
adjusted to the needs of the individual student.
4160 Advanced Painting (4) Prerequisite:
ART 4130.
A range of materials, scale, forms, and traditions. Both
perceptual and non-representational are explored.
4170 Advanced Figure Painting (4) Prerequisite:
ART 3150.
With the human figure as its subject, the class will concentrate
on forming and structuring ideas for proper expression of visual literacy.
4250 Ceramic Issues (4) Prerequisite:
ART 3230, 3240, 3250, 3260, and 3270.
Exploration of current issues, ideas, and concerns in
the ceramic arts. Advanced focus on individual ceramic refinement through
investigations into contemporary aesthetics, imagery, and concepts.
4260 Advanced Ceramics (4) Prerequisite:
ART 3230, 3240, 3250, 3260, and 3270.
Advanced exploration into ceramic forms and portfolio
development. Includes kiln-firing procedures and studio management.
4270 Advanced Handbuilding Projects
(4) Prerequisite: ART 3230, 3240, 3250, 3260, and 3270.
Advanced individual focus. Exploration of unique, creative
work through ceramic handbuilding techniques in the initiation of major
form concepts.
4280 Advanced Wheelthrown Projects (4)
Prerequisite: ART 3230, 3240, 3250, 3260, and 3270.
Advanced individual focus. Exploration of unique, creative
work using the wheel in the initiation of major form concepts.
4310 Relief II (4) Prerequisite: ART
3310.
Continued development from Art 4340. Greater image maturity
assumed. May include student exchange portfolio participation.
4320 Lithography II (4) Prerequisite:
ART 3320.
Continued exploration of lithography. Greater emphasis
on image maturity. Continued growth in technical procedures and skill in
printing small editions. Evaluation based on a portfolio of work plus general
energy and involvement. May include student exchange portfolio.
4330 Screenprint II (4) Prerequisite:
ART 3330.
Continued exploration of screen printing. Greater emphasis
on image maturity. Continued growth in technical procedures and printing
skill. Evaluation based on a portfolio of work plus general energy and
involvement. May include student exchange portfolio participation.
4340 Intaglio II (4) Prerequisite: ART
3340.
Continued development from Art 4310. Greater image maturity
assumed. May include student exchange portfolio participation.
4350 Intermediate Bookbinding (4) Prerequisite:
ART 1110 and 1120 and 1240 and 1250 and 1300 and 3350.
Advanced elements of bookbinding including materials and
their properties. Discussions focus on perfecting the architectural structure
of the book, use of leather as a binding, and understanding book as an
art form.
4351 Mixed Media II (4) Prerequisite:
ART 3350.
This is a mixed media course and includes Monoprinting,
Woodcut, and Collagraphs. Although individual techniques will be covered,
the emphasis will be on combining processes. Different printing and colour
techniques will also be included.
4355 Intermediate Letterpress (4) Prerequisite:
ART 1110, 1120, 1240, 1250, 1300 and 3355.
Design and produce broadsides and chap books through instruction
on use of movable type and hand operated printing presses. Discussions
on design typography, history of letterpress and contemporary artists'
books.
4410 Sculptural Problems II (4) Prerequisite:
ART 3400 and 3410.
A continuation of ART 2400 offering studio assignments
that question and solidify artistic vocabulary and studio work. It is the
student's responsibility to develop and maintain research skills, writing
skills, and studio work. Curriculum includes regular seminar discussions
and presentations based on assigned reading, local lectures, and visiting
researchers. Contemporary issues and ideas in sculpture are a primary focus
of these discussions. ART 3400 and ART 4400 are typically taught together
with a strong emphasis on establishing studio works and complete artist
portfolios.
4420 3-D Figure Structure II (4) Prerequisite:
ART 3420.
A continuation of basic 2420 class. Knowledge of the figure
related to three-dimensional form. Work directly from the model. Occasional
mold-making. Emphasis on anatomy.
4430 Advanced WoodShop Techniques (3)
Prerequisite: ART 3400, 3410, and 3430.
4440 Small Metals II (4) Prerequisite:
ART 3440.
This is an advanced course in small-metals techniques.
The technical experiences of ART 2520 will be further expanded. Students'
efforts concentrate on a more limited number of projects, which are taken
to higher level of form exploration and technical execution.
4450 Intermedia Sculpture (4) Prerequisite:
ART 3410 and either 3310 or 3320 or 3340 or 3710.
This course emphasizes a variety of media, both traditional
and nontraditional. Studio pieces produced in the class are expected to
have a three-dimensional orientation, and incorporate technique and process
from other media areas. Work formats range from objects to installation,
and may incorporate video, photography, computer-generated imagery, painting,
printmaking. Emphasis is placed on the cultural associations of process,
as well as the aesthetic and communicative effects of media.
4460 Intermedia Environments/Installations
(4) Prerequisite: ART 3400 and 3410 and either ART 4410 or 4450.
This studio course explores the making of installations
(art works which are environment-based rather than object-oriented). Discussions
and slide lectures investigate different variables in installation including
the manipulation of space, sound, movement, and light. Through the construction
of environments, students explore different approaches including site specific,
multimedia, kinetics, architectural interaction, and interdisciplinary
use of media and processes.
4465 Sculpture Problems III (4) Prerequisite:
ART 3400, 3410, 4410, and 4450.
This course is a continuation of 3400. Students focus
on developing a body of studio work. Integration of written statements,
research, and verbal skills is expected. Students will be responsible for
completion of artist portfolio, including slide documentation, resume,
and statements related to works in progress. Exposure to specific sculptural
vocabularies include mixed media, architectural, environmental, performance,
installation, site work, and political/social. ART 3400 and 4400 are typically
taught together with a strong emphasis on establishing studio works and
complete artist portfolios.
4470 Intermedia Computer Application
(4) Prerequisite: ART 3410 and either 3310 or 3320 or 3340 or 3710.
This course develops an understanding of the computer
as a means of creating art works in conjunction with other media including
photography, sculpture, printmaking, and video. It explores technical,
aesthetic, and conceptual aspects of computer processes and imagery. Having
prior computer skills is not a prerequisite. Technical demonstrations provide
necessary information and skills. Macintosh computers/systems are employed.
Students work two-dimensionally and three-dimensionally. Development of
individual direction and aesthetic will be emphasized.
4475 Advanced Sculpture Intermedia (4)
Prerequisite: ART 4450.
This course builds on the ideas and skills achieved in
ART 3460. Students work in a variety of media and approaches. This includes
sculpture, photo, printmaking, painting, computer processes, and video.
Studio pieces produced in the class are expected to have a 3-dimensional
orientation. Assimulating and applying intermedia approaches is the basic
premise of this class.
4480 Foundry Techniques (4) Prerequisite:
ART 3400 and 3410.
This course offers experience in foundry procedures. Aluminum
and bronze casting techniques are explored through the lost wax process.
This includes sprueing, investing, casting, and patination. Mold-making
includes standard investment and no-bake-bonded resin sand. It is expected
that a variety of media and approaches are integrated with cast elements.
4490 Sculpture Special Topics II (4)
Prerequisite: ART 3400 and 3410 and either ART 4410 or 4450.
Commonly co-taught with faculty from diverse disciplines
and focuses on one specialized aspect of art making. Specialized techniques,
site specific environmental installations, architectural designs, community,
and social projects are common directives.
4510 Graphic Illustration (4) Prerequisite:
ART 3510.
An exploration into illustration style, composition, shapes,
textures, colors, flow, balance, impact, mood, and symbolic communication,
techniques, and execution. For designers and illustrators.
4520 Guest Illustration Workshop (4)
Prerequisite: First Year Studio Program.
A studio course taught by top professional illustrators.
The students will explore a variety of 'real life' assignments presented,
critiqued, and graded by a different visiting illustrator.
4620 Publication Design Studio (4) Prerequisite:
ART 3610, 3620, and 3640.
An intermediate-level course in practical illustration
and design problems. This studio course addresses illustration, graphic
design, and electronic pre-press methods as a practical form for producing
contemporary work suitable for publication.
4650 4th Year Graphic Problems I (4)
Prerequisite: ART 3650, 3660, 3670, and 3680.
An advanced-level course in graphic communications. Using
complex and diverse information, students will gain insight into solving
graphic problems through the use of personal expression, philosophical
research, and visual thinking.
4660 4th Year Graphic Problems II (4)
Prerequisite: ART 4650.
An advanced-level course. This course stresses comprehension
of complex information that is conveyed visually. A visual correspondence
of complex information should be obtained through personal expression,
design methods, and visual communicative systems.
4670 Electronic Pre-press (2) Prerequisite:
ART 3610, 3620, 3630, and 3640.
A comprehensive study of electronic methods, tools, techniques,
terminology, and equipment used for the production of electronic pre-press
output.
4680 Typography II (3) Prerequisite:
ART 3680.
An advanced-level course in typographic design. This course
concentrates on methodology, process, and techniques for resolving complex
typographic problems.
4690 Graphic Design Portfolio (4) Prerequisite:
ART 3650, 3660, 3670, and 3680.
An advanced-level course designed to prepare students
for the competitive job market. Students will design portfolios, prepare
a portfolio mailer, write and design a resume, and experience a job interview.
4710 Advanced Photo Studies (4) Prerequisite:
ART 3720.
More advanced levels of photographic concerns began in
ART 3690.
4720 Color Photography (4) Prerequisite:
ART 4710.
This is an introduction to color photography and color
theory using slides and the direct printing process of cibachrome. Development
of color photography is discussed, and color perception as applied to specific
themes is encouraged.
4730 Alternative Photography (4) Prerequisite:
ART 4710.
Offers an alternative to the traditional silver print.
Enlarging negatives, cyanotype, Van Dyke brown printing, and the gum bichromate
process are introduced.
4740 Electronic Darkroom (4) Prerequisite:
ART 3700.
In this course students create images for various output
methods while building upon skills and abilities acquired in Art 3700.
The full spectrum of concerns from scanning of film, reflective and 3D
artwork to output to film, dye sublimation, and inkjet plotter prints will
be addressed. Students are encouraged to pursue individual aesthetic concerns.
At the completion of this semester, students will have created a portfolio
of digital images that exist as prints, images on a floppy disk and in
a personal gallery on the World Wide Web designed by student.
4750 Computer Graphics: 3-D (4) Prerequisite:
ART 3730.
This course introduces the student to the theoretical
foundations of three-dimensional modeling, rendering, and motion control
using the Macintosh computer (or equivalent). Students are given ample
opportunity to realize the potential and the constraints of computer technology
as an artistic medium through the creation of three-dimensional art in
weekly assignments and a final project. Technical knowledge is assessed
through quizzes and a final written exam.
4760 Art Education in the Secondary Schools
(4) Prerequisite: First Year Studio Program.
Issues in contemporary painting. Students must have senior
standing as an art major to register for this class.
4810 Individual Senior Projects (1 to
6) Prerequisite: First Year Studio Program and senior standing as art major.
Directed study arranged with individual instructors.
4830 Graphic Design Internship (3) Prerequisite:
ART 1110 and 1120 and 1240 and 1250 and 1300.
Advanced-level course in graphic communications. The internship
program eases the transition between the educational enviornment and the
practicing profession. Reputable graphic design studios, advertising agencies,
and in-house design departments are asked by the graphic design and illustration
emphasis areas to participate. Internship placement is based upon the students'
qualifications.
4980 Senior Studio Seminar (3) Prerequisite:
First Year Studio Program and senior standing as art major.
Divides itself between two areas: creative process and
professional concerns for the working artist. Extensive readings, class
discussions, and guests will cover a range of topics from theories on why
humans create art, to basic information on graduated study; job and exhibition
opportunities; the law. Having read what dozens of contempory artists have
articulated about their work, Seminar students will then craft their own
Artists' statements.
4999 Honors Thesis/Project (3) Fulfills
Upper Division Communication/Writing.
Restricted to students in the Honors Program working on
their Honors degree.
6010 Post-degree Studio (3 to 4)
6030 Art Making Workshop for Teachers
(3)
This course is a studio based and action research supported
workshop. Students will explore the creative process through one art medium
for the entire workshop, e.g. one year ceramics, the next summer painting,
then photography, drawing, sculpture, printmaking, and intermedia art.
6110 Graduate Projects in Painting (2
to 6) Prerequisite: Admission to ART MFA Program.
6120 Graduate Projects in Painting (2
to 6) Prerequisite: Admission to ART MFA Program.
6130 Graduate Projects in Painting (2
to 6) Prerequisite: Admission to ART MFA Program.
6140 Graduate Projects in Painting (2
to 6) Prerequisite: Admission to ART MFA Program.
6150 Graduate Projects in Painting (2
to 6) Prerequisite: Admission to ART MFA Program.
6160 Graduate Projects in Painting (2
to 6) Prerequisite: Admission to ART MFA Program.
6170 Graduate Projects in Painting (2
to 6) Prerequisite: Admission to ART MFA Program.
6210 Graduate Projects in Drawing (2
to 6) Prerequisite: Admission to ART MFA Program.
6220 Graduate Projects in Drawing (2
to 6) Prerequisite: Admission to ART MFA Program.
6230 Graduate Projects in Drawing (2
to 6) Prerequisite: Admission to ART MFA Program.
6240 Graduate Projects in Drawing (2
to 6) Prerequisite: Admission to ART MFA Program.
6250 Graduate Projects in Drawing (2
to 6) Prerequisite: Admission to ART MFA Program.
6260 Graduate Projects in Drawing (2
to 6) Prerequisite: Admission to ART MFA Program.
6310 Graduate Projects in Printmaking
(2 to 6) Prerequisite: Admission to ART MFA Program.
6320 Graduate Projects in Printmaking
(2 to 6) Prerequisite: Admission to ART MFA Program.
6330 Graduate Projects in Printmaking
(2 to 6) Prerequisite: Admission to ART MFA Program.
6340 Graduate Projects in Printmaking
(2 to 6) Prerequisite: Admission to ART MFA Program.
6350 Graduate Projects in Printmaking
(2 to 6) Prerequisite: Admission to ART MFA Program.
6360 Graduate Projects in Printmaking
(2 to 6) Prerequisite: Admission to ART MFA Program.
6410 Graduate Projects in Sculpture
(2 to 6) Prerequisite: Admission to ART MFA Program.
6420 Graduate Projects in Sculpture
(2 to 6) Prerequisite: Admission to ART MFA Program.
6430 Graduate Projects in Sculpture
(2 to 6) Prerequisite: Admission to ART MFA Program.
6440 Graduate Projects in Sculpture
(2 to 6) Prerequisite: Admission to ART MFA Program.
6450 Graduate Projects in Sculpture
(2 to 6) Prerequisite: Admission to ART MFA Program.
6460 Graduate Projects in Sculpture
(2 to 6) Prerequisite: Admission to ART MFA Program.
6510 Graduate Projects in Ceramics (2
to 6) Prerequisite: Admission to ART MFA Program.
6520 Graduate Projects in Ceramics (2
to 6) Prerequisite: Admission to ART MFA Program.
6530 Graduate Projects in Ceramics (2
to 6) Prerequisite: Admission to ART MFA Program.
6540 Graduate Projects in Ceramics (2
to 6) Prerequisite: Admission to ART MFA Program.
6550 Graduate Projects in Ceramics (2
to 6) Prerequisite: Admission to ART MFA Program.
6560 Graduate Projects in Ceramics (2
to 6) Prerequisite: Admission to ART MFA Program.
6600 Graduate Projects in Computer Graphics
(2 to 6) Prerequisite: Admission to ART MFA Program.
6610 Graduate Projects in Graphic Design
(2 to 6) Prerequisite: Admission to ART MFA Program.
6620 Graduate Projects in Graphic Design
(2 to 6) Prerequisite: Admission to ART MFA Program.
6630 Graduate Projects in Graphic Design
(2 to 6) Prerequisite: Admission to ART MFA Program.
6640 Graduate Projects in Graphic Design
(2 to 6) Prerequisite: Admission to ART MFA Program.
6650 Graduate Projects in Graphic Design
(2 to 6) Prerequisite: Admission to ART MFA Program.
6660 Graduate Projects in Graphic Design
(2 to 6) Prerequisite: Admission to ART MFA Program.
6700 Graduate Projects in Photography
(2 to 6) Prerequisite: Admission to ART MFA Program.
6710 Graduate Projects in Photography
(2 to 6) Prerequisite: Admission to ART MFA Program.
6720 Graduate Projects in Photography
(2 to 6) Prerequisite: Admission to ART MFA Program.
6730 Graduate Projects in Photography
(2 to 6) Prerequisite: Admission to ART MFA Program.
6810 MFA Graduate Seminar (3) Prerequisite:
Admission to ART MFA Program.
6920 Med Exp Computer Graphics (2 to
6) Prerequisite: Admission to ART MFA Program.
6970 Thesis Research: MFA (1 to 6) Prerequisite:
Admission to ART MFA Program.
6980 Research Consultation: MFA (3)
Prerequisite: Admission to ART MFA Program.
7810 MFA Graduate Seminar (3) Prerequisite:
Admission to ART MFA Program.
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